Alice Walkers Short Story The Welcome Table Essay Free Essay Example, 1000 words

ï » ¿ The Welcome Table by Alice Walker ‘The Welcome Table’ is a fictitious piece by Alice Walker, the Pulitzer Prize winning writer and poetess. The story bears a strong adherence to the literary genre, the African-American Literature. It narrates the story of an old black woman, who epitomises the inferior possible of the socially degraded Blacks. The story takes up the concept of the great divide in society---between the ‘Whites’ and the ‘Blacks’ and attempts to consciously evoke pity and empathy for the old black woman, who is looked down upon and left untended even in the harshest of conditions. We will write a custom essay sample on Alice Walker's Short Story The Welcome Table Essay or any topic specifically for you Only $17.96 $11.86/pageorder now This piece of fiction, very clearly, does not simply narrate a story but provokes the thoughts of readers and questions the very fundamental ethics of the disintegrated society that one lives in, today. The story starts off with the old black woman entering the Church, that was meant for the Whites exclusively. Thus, the theme of a societal divide and the concept of jeering racism is introduced right in the beginning of this literary piece. The white people do not know what their next step should be and their fears regarding the Blacks come back to daunt them. When the old black lady sits at the last row of the Church bench, the Whites huddle up together in the front rows. Here, the authoress strongly establishes the divide between the blacks and the whites. What is more obvious and requires special mentioning, though, is this societal divide on the basis of race and colour, in the sanctum of Lord Almighty! The whites see this as an intrusion into a sanctum that was meant for them, exclusively. This establishes the fact that even in the presence of the all-powerful God, where human beings are considered His children, equal and irrespective of any segregating factors, the social divide had played havoc! Equality of all men is a religious connotation and this simply did not alter or impact the condescending attitude of the whites, towards the black woman. This also highlights the extremity and the depth of the penetration of this social evil, that has crept into the lives of us humans! In addition to these societal, racist and religious facets to the story, one also encounters a humanitarian aspect, or rather the lack of it!

Personal Narrative A Challenging Course - 885 Words

English 101 was a challenging course. A constant stream of reading and writing lead to a demanding yet rewarding semester. The variety of texts read and written about provided a plethora of life lessons and demonstrations of values. Now at the end of the course I find myself a better student and writer. The texts themselves were not influential to my growth as a critical reader or college student. Rather, it was my own analysis of the texts that allowed me to consider other perspectives on technology use in the classroom and the importance of revision when it comes to school work. Writing an essay on the impossibility of multitasking and the learning setbacks caused by technology use in the classroom caused me to reduce my technology use while doing homework. Deak says, â€Å"If you are listening to Mozart while you are going maths, whenever your brain starts to hear Mozart it has to leave the maths part, and that takes time. When the brain starts to refocus on maths, it goes through the whole process again† (Morrison 1). Ever since writing this essay, I’ve began to pay attention more to my own technology use and productivity. I no longer take short, frequent breaks while doing school work. Instead, I take longer breaks after accomplishing more of my work before switching to another task. I find that I am now more efficient and less stressed ever since I allow myself to do more work. Prior to writing, I would have never considered such an anti-technology stance, no matter whatShow MoreRelatedMy First Attempt At Redemptive Accomplishment935 Words   |  4 PagesAccomplishment if it is Not Challenging The most appreciated accomplishments in life; come from struggle. As a teenager, I failed to complete college. My failure was not a lack of intellect; rather it was a lack of discipline and commitment. A decade and a half later, I have grown to appreciate the value of putting in effort. 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Salvidor Dali Was Born Essay Example For Students

Salvidor Dali Was Born Essay Dali became a member of the surrealist motion. He was surrounded by creative persons who accepted his bizarre behavior and celebrated the eccentric imagination in his art. Surrealism is a cultural motion that began in the early 1920s, and is best known for its ocular graphicss and Hagiographas. It was founded in Paris by a little group of authors and creative persons who painted images which gave a graphic world to the universe of dreams and the subconscious. Amongst other creative persons Dali met in the surrealist group, he made familiarity with Gala, the married woman of the Surrealist author Paul Eluard. Dali and Gala fell in love and moved to Paris together in the fall of 1929 and married five old ages subsequently. Dali painted Christ of Saint John of the Cross in the summer of 1951. It is a reworking of a drawing of the Crucifiction believed to hold been made by Saint John of the Cross, a sixteenth century Spanish saint. It is an oil picture on canvas and is 205 centimeter by 116 centimeter. The picture was purchased by Kelvingrove Art Gallery and Museum in 1952 for à ¯Ã‚ ¿Ã‚ ½8,200. The Spanish authorities offered à ¯Ã‚ ¿Ã‚ ½80 million for the picture but the offer was turned down. It is one of the favored plants of art in the metropolis. The picture has aroused esteem, unfavorable judgment and contention since it was painted! Students of Glasgow school of Art submitted a request against the purchase because they thought the money would hold been better allocated to creative persons in the City. It was thought by spiritual groups that with his repute, Dali should nt be painting spiritual plants and Art Critics believed that with this picture, Dali was non forcing the boundaries of the surr ealism he was known for. The picture was attacked by a visitant in 1961 who used a rock and his custodies to rupture the canvas, but it was successfully restored. Dali relied on his dreams for counsel, he aimed to unite atomic scientific discipline and faith in Christ of Saint John of the Cross, and besides used mathematical theories to seek and work out the ideal proportions for his work. Dali wrote In 1950 I had a cosmic dream in which I saw in coloring material this image, which in my dream represents the karyon of the atom. This nucleus afterwords took on a metaphysical significance. I consider it to be the very integrity of the existence, Christ and When thanks to Father Bruno ( Carmelite ) , I saw the Christ drawn by Saint John of the Cross, I worked out geometrically a trigon and a circle which aesthetically summarised all my old experiments and I drew my Jesus in this trigon . In the pictures Christ of Saint John of the Cross and Crucifixion Jesus s cross floats above the land. In the picture Christ of Saint John of the Cross you see Christ s point of position from above, while in Crucifixion ( 1954 ) you see the position of the witnesss below. These pictures show how world is perceived. Dali started painting from scientific discipline after World War II, this is when he began the atomic ( or atomic ) period of his work. In the picture The continuity of memory ( 1931 ) you see a deformed foetus like caput lying on the land and runing redstem storksbills and in the backround a landscape that looks similar to Port Lligat where Dali grew up, the landsc apes in many of his pictures resemble Port Lligat with flaxen beaches and old canvas boats. The runing pocket tickers suggest the irrelevancy of clip during slumber, when we are asleep clip does non prevail, but memories do. Dali called his pictures manus painted dream photographs.This picture besides relates to comprehend world and suggests that Time is a human perceptual experience . .u25e6e1478f7996517ec5014b807e53ed , .u25e6e1478f7996517ec5014b807e53ed .postImageUrl , .u25e6e1478f7996517ec5014b807e53ed .centered-text-area { min-height: 80px; position: relative; } .u25e6e1478f7996517ec5014b807e53ed , .u25e6e1478f7996517ec5014b807e53ed:hover , .u25e6e1478f7996517ec5014b807e53ed:visited , .u25e6e1478f7996517ec5014b807e53ed:active { border:0!important; } .u25e6e1478f7996517ec5014b807e53ed .clearfix:after { content: ""; display: table; clear: both; } .u25e6e1478f7996517ec5014b807e53ed { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u25e6e1478f7996517ec5014b807e53ed:active , .u25e6e1478f7996517ec5014b807e53ed:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u25e6e1478f7996517ec5014b807e53ed .centered-text-area { width: 100%; position: relative ; } .u25e6e1478f7996517ec5014b807e53ed .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u25e6e1478f7996517ec5014b807e53ed .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u25e6e1478f7996517ec5014b807e53ed .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u25e6e1478f7996517ec5014b807e53ed:hover .ctaButton { background-color: #34495E!important; } .u25e6e1478f7996517ec5014b807e53ed .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u25e6e1478f7996517ec5014b807e53ed .u25e6e1478f7996517ec5014b807e53ed-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u25e6e1478f7996517ec5014b807e53ed:after { content: ""; display: block; clear: both; } READ: The persistence Of Memory Salvador Dali EssaySalvidor Dali is my favorite creative person, I love his work! I admire Dali s eccentricnes, I would love to hold met him! The painting Christ of Saint John of the Cross is my favorite picture as one love spiritual pictures and when Dali pigments from his dreams I find it truly interesting as dreams are so absorbing to me. I love surrealism art as I feel like it takes me off to another topographic point merely like when I dream. Dali painting his dreams has inspired me to get down making this. I love the thought of Christ on the cross up up above looking down on Earth and there is ever something traveling on down below, in this painting the fishermen on the beach. I love the colors and the light coming through the clouds in the sky and the distances above the hills in the landscape. I think Dali s Christ of Saint John of the Cross inspired other creative persons to paint from scientific discipline and faith. I think it has inspired people to believe about faith and surrealism art.

Yellow Wallpaper By Charlotte Gilman Essays (1614 words)

Yellow Wallpaper By Charlotte Gilman For the women in the twentieth century today, who have more freedom than before and have not experienced the depressive life that Gilman lived from 1860 to 1935, it is difficult to understand Gilman's situation and understand the significance of ?The Yellow Wallpaper?. Gilman's original purpose of writing the story was to gain personal satisfaction if Dr. S. Weir Mitchell might change his treatment after reading the story. However, as Ann L. Jane suggests, ?The Yellow Wallpaper? is ?the best crafted of her fiction: a genuine literary piece?the most directly, obviously, self-consciously autobiographical of all her stories? (Introduction xvi). And more importantly, Gilman says in her article in The Forerunner, ?It was not intended to drive people crazy, but to save people from being driven crazy, and it worked? (20). Therefore, ?The Yellow Wallpaper? is a revelation of Charlotte Perkins Gilman's own emotions. When the story first came out in 1892 the critics considered ?The Yellow Wallpaper? as a portrayal of female insanity rather than a story that reveals an aspect of society. In The Transcript, a physician from Boston wrote, ?Such a story ought not to be written?it was enough to drive anyone mad to read it? (Gilman 19). This statement implies that any woman that would write something to show opposition to the dominant social values must have been insane. In Gilman's time setting ?The ideal woman was not only assigned a social role that locked her into her home, but she was also expected to like it, to be cheerful and gay, smiling and good humored? (Lane, To Herland 109). Those women who rejected this role and pursued intellectual enlightenment and freedom would be scoffed, alienated, and even punished. This is exactly what Gilman experienced when she tried to express her desire for independence. Gilman expressed her emotional and psychological feelings of rejection from society for thinking freely in ?The Yellow Wallpaper?, which is a reaction to the fact that it was against the grain of society for women to pursue intellectual freedom or a career in the late 1800's. Her taking Dr. S. Weir Mitchell's ?rest cure? was the result of the pressures of these prevalent social values. Charlotte Gilman was born on July 3, 1860, in Hartford, Connecticut in a family boasting a list of revolutionary thinkers, writers. And intermarriages among them were, as Carol Berkin put it, ?in discrete confirmation of their pride in association? (18). One fact that catches our attention is that, either from the inbreeding, or from the high intellectual capacity of the family, there was a long sting of disorders ranging from ?manic-depressive illness? to nervous breakdowns including suicide and short term hospitalizations (Lane, To Herland 110). Harriet Beecher Stowe, Gilman's aunt, also complained about this illness. When writing to a friend, Beecher said, ?My mind is exhausted and seems to be sinking into deadness? (Lane, TO Herland 111). She felt this way for years and did not recover from so many breakdowns until finding ?real release in her writing? of Uncle Tom's Cabin (Lane, To Herland 111). And Catherine Beecher, another famous writer and lecturer at that time, was also sent to the same sanitarium for nervous disorders. As Gilman came from a family of such well known feminists and revolutionaries, it is without a doubt that she grew up with the idea that she had the right to be treated as anyone, whether man or woman. Not only did this strong background affect her viewpoint about things, it also affected her relations with her husband and what role she would play in that relationship. From the beginning of her marriage, she struggled with the idea of conforming to the domestic model for women. Upon repeated proposals from Stetson, her husband, Gilman tried to ?lay bare her torments and reservations? about getting married (Lane, To Herland 85). She claimed that ?her thoughts, her acts, her whole life would be centered on husband and children. To do the work she needed to do, she must be free? (Lane, To Herland 85). Gilman was so scared of this idea because she loved her work and she loved freedom, though she also loved her husband very much. ?After a long period of uncertainty and vacillation? she married Charles Stetson at 24 (Lane, Introduction x). Less than a year later, however, ?feelings of ?nervous exhaustion' immediately descended upon Gilman, and she became a ?mental wreck'? (Ceplair 17). In that period of time, she wrote many articles on ?women caught between families and careers and the need for women to have